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自五四时期起,知识分子作为被书写的对象开始进入文学家的艺术视野,在文学的殿堂内展示着自身的精神状态和命运流转。20世纪末21世纪初,作家贾平凹的《废都》和阎真的《沧浪之水》构成了一对互文性的文本。两部力作及其主人公庄之蝶和池大为,为知识分子在新的历史时期的精神蜕变做了极其生动的注解。对照起来阅读,从中可以发现两者之间相互指涉、相互补充的互文效果。
Since the May 4th Movement, intellectuals, as the objects to be written, have begun to enter the artistic field of view of the writers, displaying their own mental status and their fate in the hall of literature. At the end of the 20th century and the beginning of the 21st century, writers Jia Pingwa’s “Deserted Capital” and Yan Zhen’s “Long Waves” formed a pair of intertextual texts. The two masterpieces, Zhuang Zhizhi and Chi Dawei, made extremely vivid explanations for the spiritual transformation of intellectuals in the new historical period. In contrast, we can find out the intertextual effect of mutual reference and mutual supplement between the two.