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当人类定义造型艺术为美术,它就毫无疑义地具有真、善、美的精神指向。 当中国进入了新时期,当中国人民期望既久的理想就在眼前的时候,人们渴望于美术的境界是富有新的内涵的真、善、美。无论美术在这空前良好的文化环境里取得了怎样的自由,正面表现真、善、美依然是它最主要的着眼点。新时期以来,许多美术家敏感于时代的召唤,藉现实题材、藉革命历史题材、藉风情、山水、花木,抒发高尚、健康、积极的情怀,确不乏感人至深之作,遂赋子主旋律以丰富的内涵,使多样化具有坚实的精神。尤其是历史题材的作品,不仅始终贯注着中华民族奋发图强的精神力度,而且强化了现代性的表现,如周思聪的《矿工图》组画深沉的历史感,时空错位、形象叠合手法的运用,罗工柳的新作《山,刺破青天锷未残》抽象形式结构的运用和诗化的思维,使我们看到了中国特色的现代艺术新的境界。《矿工图》之类的作品也证实,新的美术并不拒绝悲剧性的表现,但悲剧的背后依然是崇高,当它直陈假、恶、丑,当它把人生最有价值的东西毁灭给人看的时候,被肯定的仍然
When human beings define the art of molding as art, it will undoubtedly have the spiritual orientation of truth, goodness and beauty. When China entered a new era, when the ideal long expected by the Chinese people came in sight, people long for the realm of beauty and goodness and beauty in the realm of art. No matter what kind of freedom the fine arts has achieved in this unprecedentedly good cultural environment, it is still its primary focus to show the true, the good and the beautiful. Since the beginning of the new era, many artists have been sensitive to the call of the times. By borrowing realistic materials, borrowing revolutionary historical themes, borrowing customs, landscapes, flowers and trees, many artists express their noble, healthy and positive feelings. With a rich content, diversification has a solid spirit. In particular, the works of historical themes not only continue to exemplify the Chinese nation’s energetic spirit, but also enhance the performance of modernity. For example, the deep sense of history and time-space dislocation of Zhou Sicong’s “Miners’ The new form of ”Willow’s new work“, ”piercing the sky and skating in the sky," uses abstract thinking and poetic thinking to make us see the new realm of modern art with Chinese characteristics. Works like miners’ pictures also confirm that the new art does not reject the tragedy, but behind the tragedy is still lofty. When it straightforwardly rejects evil, ugliness and ugliness, it destroys the most valuable things in life When you look, it is still true