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新生代小说对情感和情绪的表现不再具有清晰可寻的逻辑线索,显得异常的暧昧和混乱。在混乱的背后,我们可以发现,新生代小说对亲情、爱情、友情的叙述基本上是解构式的,传统文学作品中稳固的情感形式遭到了质疑和放逐。在新生代小说中,我们很难发现文学作品历来讴歌的亲情的温暖和崇高、爱情的甜蜜和神圣、友情的理解和宽容等东西,看到的往往是他们对这些感情别样的书写。
Novels of the new generation of emotions and emotions no longer have a clear logical clues that seem abnormal ambiguous and chaos. Behind the confusion, we can see that the narration of the new generation of novels on affection, love and friendship is basically deconstructive, and the stable emotional form in traditional literary works has been questioned and banished. In the new generation of novels, it is very difficult to find out the warmth and loftiness, the sweetness and love of sacredness, the understanding and tolerance of friendship, which have always eulogized the literary works. What they often see is what they write differently about these feelings.