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在现代影片中,色彩不仅是还原客观现实的手段,也是一种艺术渲染手段。张艺谋的电影中,色彩的形象是极为突出的。导演善于运用色彩的画面造型作用,来烘托影片人物,完善影片叙事,诠释影片情感,并进一步深化影片的精神内涵。在他的电影中,色彩总是以各种形象出现在观众的视野中,如质朴与华丽、多与少、真实与夸张、内敛与张扬等,都体现了电影艺术家的电影创作理念和美学追求。本文以张艺谋的影片为例探讨电影色彩的写实与写意。
In modern films, color is not only a means of restoring objective reality, but also an instrument of artistic rendering. Zhang Yimou’s movie, the color of the image is extremely prominent. The director is good at using color screen modeling role, to foil the film characters, improve the film narrative, interpretation of film emotion, and further deepen the film’s spiritual connotation. In his films, colors always appear in the audience’s visual field with various images, such as simplicity and gorgeousness, more and less, truth and exaggeration, restraint and publicity, all of which reflect the cinematic ideas of filmmaking and aesthetic pursuit . This article takes Zhang Yimou’s film as an example to discuss the realistic and freehand of film color.