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写这样的文章,难免要回想80年代深受文学蛊惑的逸事,感觉最强烈的依旧是那些无法闪避的来自于群体的激情。好像那时候,只要几个人一坐下来,围绕着文学说上点什么,就会有一种单纯的信念让我们发痴,有一种发奋的劲头引领我们飞升。那时候,像肖克凡这样一个人,在圈子里面是显得特别突出的。他不仅非常好说,而且热衷于争辩,他口舌尖锐、言辞锋利,特别擅长针砭和批判,关于社会的不良现象,关于生活的种种真相,关于文学应该怎样思索、表达等
Write such an article, it is inevitable to recall the anecdote deluded by the literature of the 1980s, the most intense feeling is still those who can not dodge the passion from the community. It seems that at that time, as long as a few people sit down and say something about the literature, there is a simple belief that we can make a fool of ourselves and have an energetic momentum that leads us to soaring. At that time, a person like Xiao Kefan was particularly prominent in the circle. He is not only very good to say, but keen to argue that he has a sharp, sharp speech, is particularly adept at stingrays and critiques, about social unhealthy phenomena, about the truth about life, about how literature should think and express