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艺术家由金出生在上个世纪70年代末,在与他同时代的画家里,他的绘画风格独特之极,甚至可以说是标新立异,具有鲜明的个人特色。这种特色不仅仅指他的绘画语言,更指的是他完全脱离传统绘画叙事方式的窠臼,创造出了一种极其各异的属于他自己的风格,令人印象深刻。关于他的创作,他的大学时期的老师王易罡先生曾经撰文写道:“由金通过他的绘画作品,鲜明地向我们展示出了‘乱码’时代及图像误读所形成的不同视觉感受,他所要采取的是一种将错就错的思维观念,即通过乱码所形成的图像及像素错误的变异的图形,所形成的不准确的、虚拟的、抽象化的形象加以强化组合,从而形成一种在错误图像中再制造的错误。如果我们按照这种逻辑判断下去的结果将是一种具有毁灭性的灾难。这是一个带有悲剧性的世界,而在这种悲剧图像的世界里,在由金看来是具有某种审美性的。于是他便利用了错误,讲述错误,以此来提示今天生活存在的空间里,我们所面临的世界是多么危险、不真实和混乱”。而对于由金何以形成现在这样的创作风格,本刊对其进行了采访。
The artist was born from gold in the late 70s of last century, and his contemporary painters, his painting style is extremely unique, and even can be said to be unconventional, with distinct personal characteristics. This feature not only refers to his painting language, but also refers to his completely detached from the stereotypes of the traditional painting narrative, creating a very different style of his own, impressive. Regarding his creation, his college teacher Wang Yi-gang once wrote: “From his paintings, Kim vividly showed us the different visual experiences caused by the era of ’garbled’ and misunderstanding of images, What he wants to take is a wrong way of thinking, that is, the image formed by garbled images and the erroneous variation of the pixels are intensified by the combination of inaccurate, virtual and abstract images formed thereby forming a False re-manufacture of the image error. If we follow this logic to determine the result will be a devastating disaster.This is a tragic world, and in this world of tragic images, by the Kim seems to have some aesthetic taste, and he then uses the error and the error to tell us how dangerous, untrue, and confused the world we live in today’s living space. ” As for the formation of the current style of creation by Kim, the magazine interviewed them.