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从某种意义上说,中国表现都市题材的绘画在北宋就已出现了,如《清明上河图》。然而,在现代都市文明高度发达的今天,以都市生活为题材的绘画似乎在很长的时间里并没有得到艺术家的普遍重视,尽管它在当今强调中国绘画向现代转型的时期是一个大有作为的领域。在20世纪,人们从事艺术创作或写作时,都市成为无意或者说有意要回避的一个题材。当代文学评论家李敬泽针对现代文学的一次评奖活动中中篇小说奖全部落在乡村小说上的问题,评价说：“我们的文学观念、我们想象和表现世界的眼光,我们适用的概念和程序都面临着一个对都市经验失效的问题,我们对此却缺乏自觉。”在中国画领域,都市题材的滞后则与艺术家缺少对中国都市化进程的主动关注密切相关。
In a sense, the paintings of China on urban themes have appeared in the Northern Song Dynasty, such as the “Riverside Scene of Qingming Festival.” However, with modern urban civilization highly developed, the painting based on urban life does not seem to have drawn the attention of artists for a long time, though it is a great field in the period when it emphasizes the transition of Chinese painting to the modern era . In the 20th century, when people engaged in artistic creation or writing, the city became an unintentional or intentional subject to be avoided. Contemporary literary critic Lee Jing-Zeh for modern literary awards in a novel all the novella Prize fell on the issue of rural novels, commented: “Our literary concept, we imagine and show the world’s vision, we apply the concepts and procedures are In the face of a failure of urban experience, we are unconscious about it. ”In the field of Chinese painting, the lag in urban themes is closely linked with the artist’s lack of active attention to the process of urbanization in China.