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受《演讲与口才》杂志社之托,为其演讲大楼正厅创作壁画《宇宙之声》。为了突出演讲艺术这个主题,我们选择了中外历史不同时期的十五位著名演讲家,借以通过他们演讲形体姿态的组合及群体肖像的塑造来实现这一目的。壁画的格局和形式必然要适应建筑环境及使用功能的制约。演讲大楼正厅的南壁墙设有十几米宽的正门,只有东壁和西壁是完整的。最初方案,把中国的八位演讲家和国外的七位演讲家分成两幅独立画面,分别设置于东壁和西壁,但感觉孤立、分割和呆板。最后决定,东、西两壁同时向南壁折伸,遇到南壁的门时自然让开,门上的窄条相联,使东壁、南壁、西壁有机地形成环状,整幅画面浑然一体,整个大厅的气氛立刻活跃起来。由此可见:作品在建筑环境中的格局安排是非常重要的,努力冲破束缚、因地制宜,变环境局限为“柳暗花明”,提高作品的整体品位是创作中不可缺少的重要环节。 壁画创作与独幅画创作有着本质的区别,要把不同历史时期、不同民族的十五位演讲家在一幅画中同时出现,把不合理的或不可能的事物构建成“顺理成章”的直观“事实”,首先就需要严格的秩序性。在构图中人物的顺序先从古希腊哲人苏格拉底(公元前469～公元前399)开始,接着是德摩西尼(公元前384～公元前323)、古罗马人西塞罗(公元前106～
By the “speech and eloquence” magazine, for its speech building main hall mural creation “Voice of the Universe.” In order to highlight the theme of speech art, we have chosen fifteen prominent speakers at different periods in Chinese and foreign history to achieve this goal through their combination of body gestures and group portraits. Mural pattern and form must adapt to the construction environment and the use of functional constraints. The south wall of the main building of the speech building has a front door of more than ten meters wide, and only the east wall and the west wall are complete. The original proposal, which divided the eight speakers in China and the seven foreign speakers into two separate pictures, respectively on the east and west walls, felt isolated, divided and dull. The final decision, the east and west walls at the same time extended to the south wall, meet the south wall of the door naturally let open, the narrow door on the link, so that the east wall, south wall, west wall organically formed a ring, the whole The picture seamless, the atmosphere of the hall immediately active. Thus it can be seen that the layout of the works in the construction environment is very important. It is necessary to break through the constraints, adapt to local conditions and change the environment to “superficial beauty”. Improving the overall taste of the works is an indispensable and important link in the creation. There are essential differences between the creation of fresco paintings and the creation of single-piece paintings. It is necessary to present fifteen speakers of different nationalities in different historical periods and different nationalities in one painting at a time, and to construct unreasonable or impossible things into intuitions of “reasonable” “Fact”, above all, requires strict order. The order of the characters in the composition begins with the ancient Greek philosopher Socrates (469 BC-399 BC), followed by Dessines (384 BC-323 BC), the ancient Roman Cicero (106 BC ~