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20世纪80年代以前,京派还没有作为一个流派走进人们的视野。京派的理论、创作实绩是随着政治的解禁开始为人们所了解的。这就是京派的命运——始终在罅隙中生存。近年来,很多研究者都从京派反现代文明、反现代文化的角度上去理解京派的审美理想。本文旨在从思潮发展的角度梳理京派与现实主义及浪漫主义之间的关系,以此来探讨京派的审美理想。
Before the 1980s, the Beijing faction had not entered the people’s perspective as a school of thought. The theory of Beijing School and the performance of its creation have been well understood by people since the lifting of the political ban. This is the fate of the Beijing faction - it has always survived the gap. In recent years, many researchers have come to understand the aesthetic ideal of Beijing school from the angle of anti-modern civilization and anti-modern culture of Beijing School. This article aims at combing the relationship between Beijing School and realism and romanticism from the perspective of the development of the trend of thoughts, in order to explore the aesthetic ideal of the Beijing school.