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1997年第4期《花木盆景》的封面是一幅名曰《岿然》的树桩盆景。该盆景是一幅悬崖式动势盆景造型,俯枝崎岖盘折如临峭崖深涧,仰枝翘然昂首如壮士托天,底桩悬根露爪、古朴苍劲,主干偏中取势,重心虽偏而稳,又以绿叶生情、红果似火,相映成趣。作品俯仰多姿,顾盼有情,既有挺拔昂首之姿,又富曲盘逶迤之势;既有“力拔山兮气盖世”的雄伟气魄,又有“仰手接飞猱,俯身散马蹄”的洒脱气度。铁干疏枝,红果绿叶,遒丽劲宛,大势天成。细观作品,给欣赏者有三个突出的印象。一为“劲”。作品的每一枝一干,一曲一折,虽屈尤伸,虽盘待
1997 No. 4 “Flower bonsai” is a cover of the book called “suddenly” stump bonsai. The bonsai is a cliff-style trend of bonsai modeling, overlooking the bursts of rugged disk fold Linru Cliff deep streams, Yang Zhi Qiao Ran head Zhuozhuo days, the end of the pile hanging roots and claws, simple and vigorous, the main skewed, Although the center of gravity is partial and steady, with green leaves, red fruits like fire, side by side. His works are graceful and graceful, looking forward to his love and affection, both his posture of being upright and upright, and its tendency to be full of fervor; both his magnificent spirit of “ Body scattered horseshoe ”the degree of freedom and dedication. Iron dry thin branches, red leaves, 遒 Li-Wan, the potential of heaven. Mesozoic work, to the viewer has three prominent impression. One for “Jin ”. Each branch of the work of a dry, a song of a fold, although flexion stretch, although the disk