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艺术的沿革始终离不开“古与今”“中与外”这一对二元论,当代艺术也概莫能外。由于中国的当代艺术走了一条完全与欧美迥异的发展道路,有着不同的艺术生态环境,加之一个时期以来西方对艺术尤其是当代艺术话语权的独霸与强势,似乎要给中国当代艺术提供了一个亦步亦趋的范式和样板。然而,艺术如果走大同之路,是有违艺术的健康发展的。当下,是时候看待多元文化交融下中国当代艺术的民族文化身份认同问题了,也到了亟待重拾中国民族文化自信的时候了。本文针对“传统、设计、科技三者整合下的当代艺术”这一趋势,阐释貌似距离最远的“传统”与当代艺术的关系,论述中国传统文化在当代艺术中的施展空间。。
The evolution of art is always inseparable from the dualistic theory of “ancient and modern”, “middle and outer”, and contemporary art is no exception. As China’s contemporary art takes a path of development totally different from that of Europe and the United States and has a different artistic environment, and since the Western domination and strength of the art, especially the right of discourse of contemporary art, seems to give China’s contemporary art one Paradigm paradigm and model. However, if art takes the road of common ground, it is against the healthy development of the arts. Nowadays, it is time to look at the question of identity identification of ethnic cultures in contemporary Chinese art with multiculturalism, and it is time to restore the confidence of Chinese national culture. This paper aims at the trend of “contemporary art under the integration of tradition, design and technology” to explain the relationship between the seemingly distant “tradition” and contemporary art, and expounds the space for Chinese traditional culture in contemporary art . .