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宋江波导演曾以《城市假面舞会》《红房间、白房间、黑房间》跻身于第五代导演的行列,又以《蒋筑英》一片赢得主旋律导演的殊荣。然而,1992年以后,中国银幕上没有了宋江波的声息。于是,熟悉宋江波或热爱宋江波的人们便存着一种期待,期待宋江波会给日显单调的中国银幕带来新的色彩与响动。 五年之后,听说宋江波要执导影片《灯塔世家》,欣喜中我的期待更加迫切。一是这个题材独特而且新颖,对中国电影和广大观众来说实在是一块尚待涉足的处女地。波兰作家显克微滋曾以《灯塔守望人》而获诺贝尔文学奖,宋江波是否会以全新的电影语言与显
Director Song Jiangbo once “city masquerade” “red room, white room, black room” among the ranks of the fifth generation of directors, but also to “Jiang Chieh-ying,” won the main theme of the director award. However, after 1992, there was no sound of Song Jiangbo on the Chinese screen. As a result, people familiar with Song Jiangbo or Song Jiangbo loves the expectation that Song Jiangbo is expected to bring a new color and response to the monotonous Chinese screen. Five years later, I heard that Song Jiangbo was going to direct the movie “Beacon House” and that my expectations in the delight were even more pressing. First, this theme is unique and novel, which is a virgin land yet to be set footed for Chinese movies and the general audience. Polish writer Timothy Wei Zi was “Lighthouse Watchman” and won the Nobel Prize in Literature, Song Jiangbo will be a new movie language and significant