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《笔谈剧本》(秦云)、《农隐》(吾不如老农)、《农侠》(捉刀子)、《北军归向民军》(冯绪承)、《独立》(瞻)、《议员哭宴记》(何许人)、《拾钗记》、《堕泪碑》(廖平子)、《故宫秋》(无咎)等九种晚清民国传奇杂剧多曾见于某些著录,但或只是被简要提及,或被标为待访剧目,因而未能引起戏曲研究界的充分关注。上述作品皆为中国戏曲史上的重要组成部分,一定程度上体现了传奇杂剧创作在退出历史舞台前的某些新变,文学价值、文献价值和戏曲史意义不容忽视,理应被纳入近现代传奇杂剧研究领域。鉴于版本稀见,兹述于此,并就作者和作品的来源及线索进行必要交代和力所能及的考证,以期为学界继续进行相关研究提供新的资料与线索。
“Pen Tan Opera” (Qin Yun), “Nong Yin” (I’m not as good as the old peasant), “Ran Xia” (catch the knife), “North Army to the People’s Army” (Feng Xu Cheng), “Independence” Nine kinds of legendary dramas in the late Qing dynasty, such as “The Book of Records”, “The Book of Pei Chai”, “The Story of the Lost Tears” (Liao Pingzi), “Forbidden City Autumn” A brief reference to, or being labeled as a repertoire of repertoire, thus failed to attract the full attention of the drama community. These works are all important parts in the history of Chinese opera. To a certain extent, this shows some new changes in the creation of legendary drama before it exits the stage of history. The literary value, the literary value and the historical significance of the opera can not be ignored. It should be incorporated into the modern drama Research areas. In view of the scarcity of rare editions, I hereby quote them here and provide the necessary information and clues on the origin and clues of the authors and their works so as to provide new information and clues for the academic community to continue their research.