论文部分内容阅读
《还珠格格》续集四月在台湾播出之时,剧组后期制作人员向这部电视剧的总美术设计师李松乔打来电话,赞扬李老的舞美设计是旧曲谱新声,旧瓶装新酒,给《还珠格格》的镜头美增色不少。“《还珠格格》拍得干净漂亮一派鲜活,而不沾一丝沉闷滞涩呆板阴郁的死气。那么,全剧的美术设计应清新可爱,而不是那种距离远不可及的伪古代,伪白领情调……”李松乔同我这样聊了起来。李松乔消瘦的身材,清癯的脸庞,活脱脱一株沅陵大山里挺拔傲岸的青松;
When “My Fair Princess” sequel was broadcast in Taiwan in April, the crew of the film crew called Li Songqiao, the chief art designer of the show, and praised Li’s old stage design for his old tune, “My Fair Princess” a lot of beauty by the United States. “My Fair Princess” is a beautiful, fresh and clean film, without any trace of dullness and dullness.However, the design of the play should be fresh and lovely, not a fake ancestor, Pseudo-white-collar mood ... ... "Li Songqiao chatted with me up. Li Songqiao thin body, clear the face, live off a mountain ridge Yuanling Pursuit of pine;