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文学研究和文学批评的核心任务在于意义的阐释,因此意义论乃是文学理论的中心。古典时代的文学意义论规定文学的意义在于言说总体性真理,近代表现论认为文学的意义在于个人情感的抒发,美学诞生后又将文学文本的含义解释为审美意识。语言论转向给文学意义论带来了一系列的变化,一是意义概念取代了真理概念,二是意义的结构性生成取代了表现性生成,三是互文性意义取代了个人独创性意义。文学文本的内涵是一种前学科性的意义,现代文论的缺陷在于用学科化的知识进行文学意义阐释。前学科性的文学意义需要运用现象学的经验描述和文化研究的跨学科性话语分析的方法。
The core task of literary research and literary criticism lies in the interpretation of meaning, so the theory of meaning is the center of literary theory. The significance of the literary meaning in the classical era stipulates that the meaning of literature lies in the general truth. The modern theory of expression considers the meaning of literature as the expression of personal feelings. After the birth of aesthetics, the meanings of literary texts are interpreted as aesthetic consciousness. The shift of linguistic theory has brought a series of changes to the literary sense theory. The first is that the concept of meaning replaces the concept of truth, the second is that the structural formation of meaning replaces the expressive generation, and the third is that intertextual meaning replaces the meaning of individual originality. The connotation of literary texts is a kind of pre-discipline significance. The disadvantage of modern literary texts lies in the interpretation of the literary meaning by using disciplinary knowledge. The pre-disciplinary literary meaning requires the use of phenomenological empirical descriptions and interdisciplinary discourse analysis of cultural studies.