傲骨与执着——纪念傅雷先生系列文章

• 作 者: 编者
• 出 处: 艺术品
• 发表日期: 2016年12期
• 关键词: 傅雷先生 艺术批评家 策展人 黄宾虹 罗曼·罗兰 于硕 史学者 丹纳

20世纪中叶,对巴尔扎克、罗曼·罗兰、丹纳等西方文豪、学者经典著作的翻译,以及《傅雷家书》的整理出版,这使得傅雷以“翻译家”与“父亲”的身份长期留存于公众印象中。而由于其性格的孤傲与耿直,傅雷更被视为中国知识分子的精神标本,被后人纪念、敬仰。然而,傅雷作为艺术史学者、艺术批评家、策展人,甚至是艺术经济人的角色却一直被历史所遮蔽,或仅尘封于硕博论文的档案库中。时值“傅雷先生逝世50年”之际,本刊特以傅雷与黄宾虹等人书信、照片为线索,力求还原这位周旋于“十里洋场”

In the middle of the 20th century, the translation of classical writings of Western writers and scholars such as Balzac, Roman Roland and Danner, and the compilation and publication of the book “Fu Lei Jia Shu” made Fu Lei take “translator” and “father” Long-term retention in the public impression. Due to his loneliness and straightforwardness, Fu Lei was regarded as the spiritual specimen of Chinese intellectuals and was remembered and admired by his descendants. However, Fu Lei’s role as an art historian, art critic, curator, and even art dealer has always been obscured by history or only in the archive of Shuobo dissertations. On the occasion of “Mr. Fu Lei’s 50 Years of Death”, the author specially uses the letters and photographs of Fu Lei and Huang Binhong as clues and seeks to restore the treatment of "