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钢琴改编曲并不是七十年代才有。改编曲本身,也达到了成熟的阶段。从钢琴伴唱《红灯记》的改编曲中,蕴含着丰富的钢琴元素,又融入了浓厚的中国传统旋律。使得作品中钢琴元素与传统韵味融为一体,这为中国钢琴艺术写下了旋律多彩的篇章。也为中国钢琴音乐的创作奠定了坚实的基础。“钢琴伴唱”是为京剧唱腔配写的钢琴伴奏,实际上,也是以京剧曲调为旋律的钢琴改编曲。钢琴伴唱《红灯记》的改编,不但为中国钢琴音乐的发展具有重要的意义,而且为我国后来的钢琴创作也提供了重要的参考价值。
Piano rendition is not the seventies. Adaptations itself, also reached a mature stage. From the piano accompaniment “Red Lantern” adaptation of the song, contains a wealth of piano elements, but also into a strong traditional Chinese melody. Making the works of piano elements and the traditional flavor into one, which for the Chinese piano art wrote a colorful chapter. But also laid a solid foundation for the creation of Chinese piano music. “Piano Accompaniment ” is a piano accompaniment written for the Beijing opera singing, in fact, is also a melody of the Beijing Opera tune melody piano adaptation. Adaptations of the piano accompaniment “Red Lantern” not only have great significance for the development of Chinese piano music, but also provide an important reference value for the later piano creation in our country.