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从东汉中后期至三国前期,文学的文本载体处于简纸并用与转换阶段。纸本作为一种新兴传播工具,起初只是一种非正式的文本形式,与一些世俗化的娱乐性文本关系更为密切。东汉的崩溃,加速了简纸替换。纸本广阔的写作空间与低廉的制作成本,改变了简册写作的思维方式,缩短了简册写作的构思过程,扩大了文本的容量,使得抒情达意更为直接与自由。纸写文本的正宗地位的确立、文本传播方式的革新,直接展示了文学超越时空的影响力,提升了文学的价值,促进了当时书信体文学的发达,增强了文学的抒情性。文本载体形式的改变引起文体的变化,文体论研究日趋细密,文人知识量的扩大带来用典之风的流行。随着纸本地位的上升,一些娱乐性的世俗文本地位得以提升,而文本形式的转换也导致了传统文本流传的失序。
From the late Eastern Han Dynasty to the early Three Kingdoms period, the literary text carrier is in the process of converting and using simple paper. As an emerging communication tool, paper was originally only an unofficial form of text, more closely related to some secular and entertaining texts. The collapse of Eastern Han Dynasty, accelerated the replacement of simple paper. The vast writing space and cheap production cost of paper books changed the way of thinking of simple book writing, shortened the process of designing booklets and expanded the capacity of texts, making lyricism more direct and free. The establishment of the authentic status of paper writing and the innovation of the mode of textual communication have directly demonstrated the influence of literature beyond time and space, promoted the value of literature, promoted the development of epistolary literature and enhanced the lyricism of literature. The change of form of text carrier causes the change of style, the study of style theory becomes more and more elaborate, and the expansion of literary knowledge brings the popularity of using code-style. With the rise of paper status, some entertaining secular texts have been promoted, and the conversion of text forms has led to the disorder of traditional texts.