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《乌夜啼》因刘义庆家人闻乌夜啼明日赦免的本事而创调。在流传过程中逐渐演变为西曲、舞曲、琴曲三种形态。西曲、舞曲《乌夜啼》逐渐失传,琴曲《乌夜啼》一直传承,直至今日。表演方面,多为后世琴曲演奏。唐代琴曲《乌夜啼》属角调,明清时期变为羽调。《乌夜啼》本身具有舞蹈属性,梁以前舞员十六人,唐代《乌夜啼》属软舞。创作方面,《乐府诗集》所收歌辞或为依声作诗或为赋题拟作,其中李白所作影响深远。后世创作中,《乌夜啼》主要有三种体式,即五言同韵体、七言同韵体、七言转韵体。李白之后,七言转韵体成为《乌夜啼》主流体式。
“Nocturra” was created by Liu Yi-qing’s family’s ability to smell tomorrow’s pardon. In the spread of the process gradually evolved into the western song, dance music, three kinds of music. Western song, dance “Wu Yeti” gradually lost, the melody “Wu Yeti” has been inherited until today. Performing performance, mostly for the future piano performance. Tang song “Wu Yeti” is a tune, Ming and Qing Dynasties become feather. “Nocturra” itself has the dance attribute, beam former dancers sixteen, “Wu night cry” is a soft dance. In terms of creation, the song lyrics collected in “Collection of Yuefu Poems” are either written poems or written for poetry, among which the influence made by Li Bai is far-reaching. Later generations of creation, “Wu Yeti” There are three main styles, namely five words with the rhyme, seven rhyme rhyme, seven rhyme rhyme. After Li Bai, the seven-character rhyme became the mainstream style of “Wu Yeti.”