天津戏曲界的抗日爱国活动

• 作 者: 郑秀琴
• 机 构: 天津市艺术研究所,
• 出 处: 戏剧文学
• 发表日期: 2017年10期
• 关键词: 日本帝国主义 河北梆子 评剧 抗战期间 中国戏曲史 剧种 周信芳 义务戏 梅兰芳 戏剧文学

天津戏曲演出从清代中叶开始蓬勃发展,到抗战爆发前形成了京剧、评剧、河北梆子三大剧种交相辉映的繁盛局面。在艰苦卓绝的抗战期间,日本帝国主义对天津的统治和占领使戏曲界的活动也进入一个相对的沉寂期。但在这一阶段,天津戏曲界却出现了很多可歌可泣的爱国活动,鼓舞着广大天津人民反抗日本帝国主义的统治,至今令人印象深刻,也在中国戏曲史上留下了华彩的乐章。

The performance of Tianjin opera began to flourish from the middle of the Qing Dynasty. Before the outbreak of the Anti-Japanese War, the prosperity of the three major operas of Beijing Opera, Pingju Opera and Hebei Bangzi formed each other. During the arduous war of resistance against Japan, the Japanese imperialism’s rule and occupation of Tianjin also brought the theater industry into a relative quiet period. However, at this stage, there were many epic patriotic activities in Tianjin’s opera circles, encouraging the majority of Tianjin people to resist the rule of Japanese imperialism and have so far impressed and also left a glorious movement in the history of Chinese opera.