来自野斋的儒雅之风

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知名的油画家中少有像朱乃正那样同时在中国传统艺术方面有着精深修养的。他的书法艺术及深得写意精髓的水墨画早已脍炙人口,作品为很多收藏家所珍赏。当然这些都不是偶然得来的,朱乃正在中学时代就醉心临池,每日书写不已,几十年来从未间断,即使是在身处逆境时,他也以极为恬淡旷达的心情来面对艺术这个他心灵中的上帝而超然物外,他的精神在人类创造的悠久而优秀的文化传统中回荡。正因为这样,他才豁达,他才超脱,他才能在那样的年代中得到一种心理上的平衡。当然,本文并不想探讨朱乃正在水墨画或书法艺术方面的成就,只是想从朱乃正独特的艺术修养来揭示他在素描艺术领域中创造的具有儒雅风范的审美价值。 Among the well-known oil painters, there are few such masters as Zhu Naizheng who are both well-versed in Chinese traditional arts. His calligraphic art and well-known ink painting have long been well known and his works are appreciated by many collectors. Of course, these are not accidental. Zhu Naizhong was very immersed in middle school. He wrote endless daily writing for decades. He never stopped even in the face of adversity and faced the arts with extreme tranquility. This God and His transcendentality in his heart, his spirit reverberates in the long, outstanding cultural tradition that mankind has created. Because of this, he was open-minded, he was detached, he was in such a period to get a psychological balance. Of course, this article does not intend to explore Zhu Naizheng’s achievements in ink painting or calligraphy. He only wants to reveal his refined aesthetic value created in the field of sketch art from Zhu Naizheng’s unique artistic accomplishments.
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