论文部分内容阅读
通过重读《乌托邦》与《鲁滨孙飘流记》,可以发现乌托邦叙事脱离不了作者在文本—地理空间层面上展开对乌托邦的开辟与缔造,以及对权力控制和主体排他性的表述。长期以来,乌托邦叙事被套以模式化的创作局限,典型特征如对作品中人物本身的刻意忽视。然而,通过分析这一文类叙事模式内部发生的细节变异,也可发现乌托邦叙事的祛模式化倾向,及其随之带来的对传统中心的背离。
By rereading Utopia and Robinson Crusoe, we can find that utopian narrative can not be separated from author’s opening up and creation of utopia at the text-geospatial level, as well as the statement of power control and subject exclusivity. For a long time, utopian narratives have been confined to the mode of creative limitations. Typical features such as deliberate neglect of the characters in the works themselves. However, by analyzing the details of the variances that occur within this genre narrative, we can also find that the utopian narrative tends to be modeled and its consequent departure from the traditional center.