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明代吴地书法盛极一时,其艺术水准在全国处于领先地位,在当时有“天下法书归吾吴”[1]之称。究其原因,固然受经济、市场等因素影响颇多,与本时期当地发达的家族文化也有非常密切的关联。从明代书法史来看,吴门书家中的佼佼者,如徐有贞、吴宽、李应祯、祝允明、文徵明等人,大多出自名门世族;参看明代绘画史,“吴门四家”中沈周、文徵明这两位世家子弟,在当时的艺术地位及影响力要远远大于非世家出身的唐寅和仇英。针对这一事实,本人已先后有《明代家族文化对书法的影响》[2]《家族文化:明代江南地区艺术发
Wu Ming calligraphy in the Ming dynasty, its artistic level in the country in a leading position, at that time there is “world law book to my Wu” [1] said. Although the reason is influenced by many factors such as economy and market, it is also closely related to the well-developed family culture of this period. From the history of calligraphy in the Ming Dynasty, the best of the writers in the Wu Men, such as Xu Youzhen, Wu Kuan, Li Yingzhen, Zhu Yunming, Wen Zhengming and others mostly came from the Ming family; Shen Zhou, Wen Zhengming, the two family children, at the time of the art status and influence far more than non-family background of Tang Yin and Qiu Ying. In response to this fact, I have had “the Ming Dynasty family culture on calligraphy” [2] "family culture: the Ming Dynasty Jiangnan art hair