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作为一名声乐学习者,对民族唱法投入了极大的热情,而且发现在学习过程中有不少受过声乐训练的人,他们的声音很美、音域甚广、声区也很统一,但唱起歌来却令人很不舒服。其表现:有的是“有声无字”;有的是“有字无声”有的是前鼻音和后鼻音的不分。除此之外还有平舌音和翘舌音不分;送气音和不送气音不分;鼻音和边音不分等。这类现象的出现往往是由于语言的地域性、民族性所造成的语言在语音语调、发音、吐字、归韵等一系列的问题。下面本人结就以方言为典范,合实际从“利”和“弊”两个字着笔进行比较分析,探究方言对民族唱法的影响。
As a vocal learner, she has devoted a great deal of enthusiasm to ethnic singing and has found many vocal trained people in her learning process. Their voices are beautiful, the vocal range is very wide, and the vocal region is very unified. However, singing It is very uncomfortable to sing. Its performance: some are “voiceless word ”; some are “word silent ” some are the former nasal and nasal after the distinction. In addition, there are flat tongue and cockpit tone regardless of the sound; air and voice do not send air, no distinction; nasal and side sound unequal. The appearance of such phenomena is often due to the language of the regional, nationality caused by the language in the voice of the voice, pronunciation, articulation, and so on a series of issues. Below, I dialect as a typical example, combined with the actual “Lee ” and “disadvantages ” pen writing comparative analysis to explore the impact of dialects on ethnic singing.