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读吕章申的书法作品,似品秋菊,清照脉脉。他书写的经文、诗赋、偈语、警句、短章,无不表现出所书内容的语境之“闲”。书法从文从心,吕章申研修书法,正是从哲学精神上、从人的自我修养和感悟实践上去掌握它,从意象文思上去开拓它。以哲学情思静照心灵,造书法风格。风格属于人,宏观世界呈现着艺术家的心灵和他雕塑物象的“我境”。吕章申以安静的笔姿见长,神与物游,在闲逸中走向书写空间的清明,所以有人称他是从董其昌一路走出来的。董其昌的字表现为心的明净和境的冷落,那是闲花一朵,淡定专一,不是牡丹富贵,学他“不仅需要勇气,更需要文化的见识,淡泊以明志”(傅京生语)。今人从董者寥寥,而吕章申独能传承其功。董其昌《画禅室随笔》有云:“临帖如骤遇异人,不必相其耳目、手足、头面,而当观其举止、笑语、精神流露处,庄子所谓目击而道存者也。”吕章申精神流露处不媚不俗,清静如水,闲淡孤迥,他以此凝定了自己的书法风格,为当今书坛佳例。一个明净、清和、优雅的书法家,文质彬彬地向我们走来。
Reading Lu Zhangshen’s calligraphy works, like the product Qiu Ju, the Qing Dynasty veins. His written scriptures, poems and funerals, eloquence, aphorisms, short essays all show “leisure” in the context of the content of the book. Calligraphy from the heart, Lv Zhang Shen study calligraphy, it is from a philosophical spirit, from the self-cultivation and perception of people practice it to grasp it, from the image of VanceInformation to develop it. Quiet mind with philosophical thoughts, calligraphy style. Style belongs to people, the macroscopic world presents the artist’s mind and his “sculptural image” of “my environment.” Lvzhang Shen in a quiet pen known, God and physical tour, ease in the writing space to the Qingming, so some people call him from Dong Qichang all the way out. Dong Qichang’s words show the clear and the quiet heart of the cold, that is a spare flower, calm and specific, not peony wealth, learn him “not only need courage, but also the need for cultural knowledge, indifferent to the Ming Chi” (Fu Jingsheng language). Today, few from the director, and Lu Zhangshen alone can pass on their merits. Dong Qichang’s “Painting Zen Chamber Essay” goes like this: "Temporary posts such as sudden encounters with strangers do not have to meet each other’s eyes, hands and feet, head and face, and when the demeanor, laughter, The spirit of the place is not pro-Mei good, quiet water, pale solitary, he set his own calligraphy style, for today’s book good example. A neat, elegant and elegant calligrapher came to us in a gentle manner.