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秦腔,作为我国最古老的地方戏之一,从明朝形成到现在,也有好几百年了.这是祖先们留给我们的一笔文化遗产,我辈今朝理应发扬光大。但是,我们是否也应该注意到这样一个事实:地方剧赖以形成和生存的封闭性地方观念,已经受到科学技术飞速发展所带来的大量新事物、新观念的严重挑战。现代化的交通通讯工具缩短了人们的空间距离,人口的流动和迁徙冲淡了原有的地域观念,潮水般涌来的大量信息带来了各方面的最新动态。这一切,都不可避免地使人们思想产生微妙的变化。这种思想观念的变化,必然要影响到人们的审美情趣,于是作为地域观念典型代表的地方戏,首当其冲受到了各种外来文化形势的冲击。从这一点看,秦腔的冷落(岂止是秦腔)乃是一种社会发展的必然。再从秦腔本身看,它的表演形式和表现方法与当今人们的欣赏口
As one of the oldest local operas in our country, Qinchao has existed for hundreds of years from the Ming Dynasty to the present, which is a cultural legacy left by our ancestors. However, we should also take note of the fact that the closed local concept of local drama, which forms and survives, has been seriously challenged by a large number of new things and new concepts brought about by the rapid development of science and technology. Modern transport and communication tools have shortened people’s spatial distance. Population migration and migration have diluted the original geographical concept. The flood of information has brought the latest developments in all aspects. All this inevitably causes subtle changes in people’s thinking. This change of ideology and concept inevitably affects people’s aesthetic taste. Therefore, the local drama, as a typical representative of the geographical concept, is the first to be hit by various foreign cultural situations. From this point of view, the neglect of the Qin chamber (more than the Qin chamber) is an inevitable result of social development. Again from the Qin cavity itself, its performance and performance methods and people’s appreciation today