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习书多年,宗师自然万物;走近先贤书家,各呈异彩。置身其中,得益匪浅,唯感长进短浅,领悟未深。书法贵在气、格、神、意。浅显说来,无非乃人之情致、气度、格调、精神、好尚和品味,动情寄寓于笔墨的抒发和波磔的灵动罢了。书法因为文字的本身规范与表意符号皆以抽象的线条呈现,是故,书家的内蕴、情感和意味的放达舒发自有其特殊的心态或规律。卓有建树的书家,无一不是带着创造性的眼光去拓展、去驾驭、去表现的。或者说,书法作为中国文人从“思想”内部走向
Book for many years, the master of all natural things; approached the Xianshu Shu, each was a splendor. Exposure, benefiting a lot, the only sense of progress into short-sighted, underestimated. Calligraphy expensive, grid, God, Italy. Plainly speaking, nothing more than human affection, tolerance, style, spirit, good and taste, emotional expression in the expression of the ink and the waves Smart. Calligraphy because the text of the norms and ideographic symbols are abstract lines are presented, therefore, the book’s content, emotion and meaning of life and comfort, its own special mentality or law. Outstanding achievements of the book, both with a creative vision to expand, to control, to performance. Or, calligraphy as the Chinese literati from “thought ” to the interior