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中国书法发展到汉末魏晋以来,字体成熟定型之后,名家书法便成了书法史的主角,以至于今。其中书法名家多以男性为主,然而亦不乏女性书家的身影。如曹魏的蔡文姬,东晋的卫夫人,唐代的武则天、薛涛、吴彩鸾,两宋的朱椒真、杨妹子,元朝的管道升,明未的邢慈静等。她们的书法或承家学,或染时风,大多以温婉秀静为能,当然也有颇具丈夫气者,如武则天。然而终究人数寥寥,影响甚微。时代在发展,书法在变革。中国社会步人二十一世纪之后,女性
Since the development of Chinese calligraphy to the late Han Wei and Jin Dynasties, the fonts became mature and stereotyped, the famous calligraphy became the protagonist of the history of calligraphy, so far. Among them, the masters of calligraphy are mostly masculine, but there are also many female calligraphers. Such as Cai Wenji of Wei Wei, Madame Wei in the Eastern Jin Dynasty, Wu Zetian, Xue Tao, Wu Caizhi in the Tang Dynasty, Zhu Jiaozhen and Yang Meizi in the two Song Dynasties, pipe rising in the Yuan Dynasty, Xing Ci-jing in the Ming Dynasty, etc. Their calligraphy or astronomy, or stained the wind, mostly in order to show the gentle grace, of course, there are quite husbands who, such as Empress Wu. However, after all, there are only a few people who have little influence. Times are evolving, calligraphy is changing. Chinese society after the twenty-first century, women