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我的画:《我们行走》——版画意识的水墨实验性研究带给我更多的启迪,不觉中发现水墨的稳定性受着严格的温度和湿度的限制。甚至客观条件的略微改变,水墨效果也会千差万别,难以驾驭。这使得采用版画技术来表现水墨趣味已经不太可能,因为版画的复数限制以及画面的相对稳定变得脆弱,而失去基本属性。实验失败后,我平静下来,重新思考水墨本身所具有的原始特性和精神象征。寻问古人的最好答案应用今天的逻辑推理,来求证解决。经过几年时间的反省,
My painting: “We walk” - experimental study of ink painting in print consciousness gives me more enlightenment. Unconsciously I find the stability of ink is limited by the strict temperature and humidity. Even a slight change in objective conditions, ink effects will vary widely, difficult to control. This makes the use of print technology to express the taste of ink has been less likely because of the restrictions on the number of prints and the relative stability of the picture has become fragile, but lost the basic attributes. After the experiment failed, I calmed down and rethinking the original features and spiritual symbols of the ink itself. Seek the best answer to the ancients Apply today’s logical reasoning to prove the solution. After several years of reflection,