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这些年来,行走的人群一直是孙源醉心探索的主题,她用一种类似于构成中重复的方式将行走的个体无限复制,而“刺点”——直指心灵的力量也就在近似性的反复中产生,当一个人的行走演变成群体无意识的行进时,我们可以感受到艺术家属意就不再只是对形式感的把玩,更让她在意的是对社会现象的凸显,甚至是一种反诘。作为女性艺术家,又是生活在他乡的异客,自然会很敏感于内心里时常发生却又稍纵即逝的疏离感,但是难能可贵的是孙源的艺术表达并不是止步于自怨自艾式的个人生存感受,而是将这种敏感的隔阂变为观看的利器,所以即便身在人群中,她也能以一种抽身世外的
Over the years, the walking crowd has always been the subject of Sun Yuan’s devotion to exploration. She duplicates the walking individual with a repetition that is similar to the repetition of the repetition, and the “stabbing point” - the strength directed at the soul When a person’s walking evolves into a group’s unconscious march, we can feel that the artist’s intention is no longer just the play of formality, but even more so she cares about the prominent social phenomenon and even the A kind of anti-诘. Being a female artist, but also a stranger living in a foreign country, will naturally be very sensitive to the frequent but fleeting alienation in her heart. However, it is commendable that Sun Yuan’s artistic expression does not stop at self-pity personal survival Feelings, but the sensitive gap into the weapon of watching, so even in the crowd, she can also be an extraterrestrial