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一、序“歌道”在中世歌学里显露出鲜明的风貌,它给江户“国学”(译者按:指日本学)带来崭新的思想并作为日本的精神性质的问题而获得发展。这是不将和歌作为纯粹文学来看待,而在“道”这一文化的、思想的或者政治的侧面来把握它的结果。这种和歌之道正如早已在《古今和歌集》汉文序里所见到的那样,是触及到歌道的文学史状况而出现的。汉文序中说:“虽风流如野宰相,轻情如在纳
First, the preface ”song “ reveals a distinctive style in the song of the Middle Ages, which brings a brand new thought to Edo ”Guoxue “ and translates as the spiritual nature of Japan Problems and development. This is not to treat the song as pure literature, but to grasp its result on the cultural, ideological or political side of the Tao. This kind of harmony song, as it has long been seen in the Chinese-language sequence of ”Songs of Ancient and Modern Singer Songs“, came into contact with the literary history of the song. Chinese sequence said: ”Although Merry, such as wild prime minister, as Qingna na