论文部分内容阅读
民国时期的书坛,传承了两千多年的传统书法艺术观,既沿袭着清中晚期以来碑学思潮的影响,同时又受到了西方文化艺术思想的冲击。随着书法生存环境和文化背景的改变,民国书坛对碑学思想既有继承又有新的发展。特剐是针对康有为《广艺舟双楫》中较为偏激极端和过度臆测的部分进行了纠正,四川学者刘成圻的《弄翰余沈》就是这样的一个代表著作。
The calligraphy in the Republic of China inherited more than two thousand years of traditional calligraphy concept of art, which not only followed the influence of the thought of the stone inscription since the late Qing Dynasty, but also was impacted by the thought of western culture and art. With the change of calligraphic living environment and cultural background, the Republic of China calligraphy has both inheritance and new development to the thought of scrutiny. The special subject was corrected for the more extreme and excessive speculation in Kang Youwei’s “Guang Yi Zhou Shuangjian”. This is a representative work by the scholar Liu Chengyu of Sichuan.