论文部分内容阅读
王璜生的实验性艺术创作,针对的是个人艺术诗意与现实处境的无限冲突,而他在这一关联的依存关系里,通过多媒介的方式寻求着一种视觉转化和间离效果。线与线的环绕、交叉、纠缠,没有边际;对新闻报纸的介入式遮蔽,形成的互为图像是对媒体承载的意识形态的颠覆与消解;在有形与无形、虚与实,以及光与影的碎片化结构中,成为个人对现实生存实在属性的感触,如同在他这些作品之间的临界点上,游移与如影随行的漂浮一般。
Wang Huangsheng’s experimental artistic creation is directed at the infinite conflict between the poetic and the actual situation of individual art, and in this dependent relationship, Wang Huangsheng seeks a visual transformation and a separation effect through a multi-media approach. There is no margin for the encircling, crossing and entangling of the line and the line; the intervening shadowing of the news newspaper creates the image of subversion and dissolution of the ideology carried by the media. In the visible and invisible, the virtual and the real, the light and the shadow In the fragmented structure, it becomes the individual’s feeling of the actual nature of the real existence, as in the critical point between his works, the wandering and floating in the shadow.