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流畅的、不断变化的摄影机机位成了歌舞片中的一个标准,这给了歌舞片在戏剧舞台上无法复制的电影维度,从而使其具有独特的魅力。歌舞片抛却的是静止和固定的戏剧舞台化视角,强调以电影的视听语言,叙事的手法,来辅助歌舞展现。与情节片比较,歌舞片的故事内容趋于简单。早在1936年,电影《欢乐时光》中,男女主角真正把恋爱和歌舞融合为连贯的叙事表达,以爱情为题材的歌舞片便大行其道。爱情成为歌舞片的一大主题,貌美的男女主角在音乐与舞蹈中传递真情,获得真爱,让人赏心悦目。
The fluid and ever-changing camera position has become a standard in musicals, which gives the movie a unique dimension of cinema that can not be reproduced on the theater stage. Song and dance throw away is static and fixed theater stage perspective, emphasizing the movie’s audio-visual language, narrative tactics to aid song and dance show. Compared with the episode, the musical content of the story tends to be simple. As early as 1936, in the movie “Happy Hour,” the heroine and the heroine actually merged love and song and dance into a coherent narrative expression. The love-themed song and dance are popular. Love has become a major theme of musicals, beautiful actors and actresses in the music and dance pass the truth, to obtain true love, people enjoyable.