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题记:本文从《中国书法全集,王羲之王献之卷》中《王羲之与王献之》一文摘出关于王献之的部份,稍加编纂而成,所用图版亦是摘自该书。谨记。魏晋时期的书法家以及他们创制的风格样式,一千多年来一直是中国古典书法艺术的主流。无论后人怎么以「法」、「意」、「态」、「势」来概括和区分唐、宋、元、明、清朝书艺的时代特征,其风规依然是以魏晋风韵作底蕴,为归宿,从而形成了中国书法
Inscription: This article from the “Chinese calligraphy collection, Wang Xizhi Wang Xianzhi Volume” in the “Wang Xizhi and Wang Xianzhi,” a section on Wang Xianzhi excerpt from a little codified, the plates are also taken from the book. Remember. The calligraphers of the Wei and Jin Dynasties and the styles they created have been the mainstream of Chinese classical calligraphy for more than a thousand years. Regardless of how the descendants summarize and differentiate the characteristics of the era of calligraphy in the Tang, Song, Yuan, Ming and Qing Dynasties with “law”, “meaning”, “state” and “potential”, their style is still based on the charm of the Wei and Jin dynasties , As the destination, thus forming a Chinese calligraphy