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上世纪90年代,笔者参加了由台湾清华大学教授王秋桂先生主持的“中国地方戏与仪式之研究”课题,曾对重庆市巴南区接龙镇民间祭祀仪式活动中的戏剧表演作过田野考察,出版了关于阳戏、庆坛、延生、丧戏4本调查报告和关于端公戏、诀罡密谱2套3册资料汇编,还发表了观音会等10余篇文章。本世纪初,因参加非物质文化遗产保护工作,再次去接龙镇进行了田野考察,协助接龙镇填写了重庆市非物质文化遗产接龙仪式戏剧普查登记表以及国家级和市级代表作申报书。通过长时期的田野考察,发现此地存在着比较完整的仪式戏剧,这对研究中国戏剧产生、发展的历史,以及中国戏剧的形态颇有价值。现据调查所得资料整理成文,供戏剧研究者参考。
In the 90s of last century, the author participated in the topic of “Research on Chinese Local Theater and Rituals” chaired by Professor Wang Qiu-gui, a professor at Tsinghua University in Taiwan. He made a speech on the dramatic performances in the folk sacrificial ceremonies of the town of Banan in Banan District in Chongqing. Investigated and published 4 survey reports on Yang Opera, Qing Tan, Yan Sang, and Du Fu, and compiled 3 sets of materials on 2 sets of Gong Duan and Gong Ke Mi Shu, and published more than 10 articles including Guanyin Club. Early this century, due to participate in the protection of non-material cultural heritage, once again went to the town of Solitaire field trips to assist Solitaire fill out the non-material cultural heritage of Chongqing City Solitaire Ceremony census registration form and national and municipal masterpieces declarations. Through a long period of field investigation, it is found that there is a relatively complete ritual drama here, which is of great value in studying the history of the emergence and development of Chinese drama and the form of Chinese drama. The data collected from the investigation are compiled for the reference of theater researchers.