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无需胜败,无需荣辱,无需理解,曾经的卡特,只需要飞翔的空间。 从“J博士”欧文开始,历经“人类电影精华”威尔金斯、“滑翔机”德雷克斯勒、“飞人”乔丹,飞行和灌篮作为美国篮球传统中亘古不变的文化内核,被历史性的传承和演绎着。几十年来,各种花式灌篮被不遗余力的发明创造,在人体与篮筐之间可能存在的所有关联方式几乎都已被穷尽,人类关于飞翔的占老梦想似乎已经走到尽头,直至文斯·卡特的出现。 如果把卡特带给篮球的全部惊奇都定格在2000年扣篮大赛上的天外飞仙,那将是一个令人伤感的误解。文斯·卡特真正的创造性在于:将篮球与飞翔彻底的等同。 文斯·卡特的篮球世界,仿佛注定远离尘世,唯美的空中作业永远濒临肆无忌惮的境地。就此而言,卡特在球场上的所有时刻,都可以被称为SHOW TIME。 然而,NBA毕竟只是一个纸醉金迷的职业体育联盟,所有的人都为淘金和攫取荣誉而来,这个世界很实在,伤病、利害、失败、孤独,所有卑微的麻烦都会不期而至,将你从梦中唤醒。 终于,空中卡特坠落人间。
Without victory or defeat, without honor and disgrace, without understanding, once Carter, only need to fly space. From the “Dr. J” Owen, after the “human essence of the movie” Wilkins, “glider” Drexler, “trapeze” Jordan, flying and dunk as the ancient culture of the United States basketball tradition, was Historic heritage and interpretation. For decades, all kinds of fancy dunks have been spared no effort in inventing and creating almost all the possible ways of associating between the human body and the hoops. All this has almost exhausted. The human dream of flying seems to have come to an end till the text The appearance of Sri Lanka Carter It would have been a sad misunderstanding if all the surprises Carter brought to basketball were set in motion at the 2000 Slam Dunk Contest. The real creativity of Vince Carter lies in completely equating basketball with flying. Vince Carter’s basketball world, as if destined to stay away from earthly, aesthetic air operations will always be on the brink of unscrupulous situation. In this regard, Carter all the time on the pitch, can be called SHOW TIME. However, after all, the NBA is just a glamorous professional sports league, all people come to gold and grab honor, the world is real, injury, stodgy, failure, loneliness, all the humble troubles will come unexpectedly, will you Wake up from the dream. Finally, the sky Carter fell to earth.