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Charles Esche大家在谈到你作品时,总会绕不过你作品中表现的非常明显的“装饰性”问题。而且,能够看出来,你在作品中将具有装饰性的形式变得更加琐碎。在这种琐碎与整体的统一中我能感受到一种作品的内在张力,这种张力是分散在作品内部各种细小形式之间的。你也知道,自18世纪以来,人们一直对“装饰性艺术”不怀好感,由于过度强调对视觉的愉悦感,装饰性艺术经常被人们认为是“思想空洞”的表现,更有甚者认为,装饰艺术的出现就是人们对精神世界追求的
Charles Esche When you talk about your work, you always get around the very obvious “decorative” issue in your work. And, as you can see, the more decorative forms you have in your work become more trivial. In this trivial and unitary unity I can sense the intrinsic tension of a work which is interspersed with various subtle forms within the work. You know, since the 18th century, people have been displeased with “decorative art,” and because of the excessive emphasis on visual pleasures, decorative art has often been regarded as a manifestation of “empty thinking,” and more Some even think that the advent of decorative arts is the pursuit of the spiritual world