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八十年代是中国影视事业崛起的年代。电影业在劫后余灰中复兴,开始赢得世界声誉;随着社会经济水平的迅速增长,电视也进入大普及、大发展的阶段。电视业的发展,不可避免地冲击了电影在公共文化消费中的传统地位,影视矛盾因此日见突出。调整两业关系以对影视矛盾作宏观调节,是两年前国家对影视管理体制实行合并的主要动因之一。但由于必要的论证不足,影视关系仍难理顺,协调工作进展缓慢。近来,影视关系的再调整一时成为影视文化圈里的热门话题。本文希图根据有限的研究对这一问题谈几点看法。一、新技术革命将使影视差别逐渐缩小,影视行业界限将日益模糊
The eighties is the rise of China’s film and television business era. The movie industry rejuvenated in the ashes after the robbery and began to win a world reputation. With the rapid growth of social and economic level, television has also entered a stage of great popularity and great development. The development of the television industry inevitably has an impact on the traditional position of the film in public cultural consumption. As a result, the contradiction between film and television has become increasingly prominent. Adjusting the relationship between the two industries to make a macro-adjustment of the contradiction between film and television is one of the major motives for the state’s merger of the film and television management system two years ago. However, due to the lack of necessary proofs, the relationship between film and television is still hard to be straightened out and the coordination work has been proceeding slowly. Recently, the readjustment of the relationship between film and television has suddenly become a hot topic in the film culture circle. This article hopes to discuss the issue on the basis of limited research. First, the new technology revolution will gradually narrow the difference between film and television, film and television industry boundaries will be increasingly blurred