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“有戏”“没戏”是人们对一台戏最简单,最直接也最中肯的评价。写“有戏”的戏认识不易,做到更不易。古今中外有许多“编剧法”,我在学校也读过不少“编剧理论”,好的“编剧地”是总结和提炼,但是我的剧本不是按照这些写出来的。写剧本之前一本也没看过,反而,写了这么多剧本之后,回过头,把“编剧法”当字典看,发现遇到的问题,原来是“编剧法”里讲过的。不懂编剧的时候,看不明白。 戏剧是文学形式中最难的一
“Play” “Play” is the most simple, the most direct and most pertinent comment on a scene. Write “play” the play is not easy to understand, to be more difficult. There are many “screenplay law” at all times and in all over the world. I have also read many “screenwriter theories” in school. A good “screenwriter” is a summary and refinement, but my script is not written according to these. Before I wrote the script, I never read it. Instead, after writing so many scripts, I turned my head back to the screenwriting of the “Screenwriting Law” and found that the problems encountered were originally described in the “Screenwriting Law.” When I do not know the writer, I do not understand. Drama is the hardest one in the literary form