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毋庸明言,明代徐渭是推动中国水墨艺术及水墨思想发展的最重要人物之一。但人们似乎热衷于谈论徐渭的不幸身世与狂怪个性在其艺术中的折现,而不愿或不十分明确地置诸思想史上进行探讨。就画论而言,似乎从未有人就徐渭水墨思想中之阳明心学因素作审慎考察,这种情形明显滞后于曲论、诗文论等领域的相应研究。本文将如题作些探索工作,或有助于完善吾人对徐渭水墨思想及中国画论中墨彩观念发展之理解。
Needless to say, Xu Wei in the Ming Dynasty was one of the most important figures in promoting the development of Chinese ink art and ink and wash thought. However, people seem keen to talk about Xu Wei’s unfortunate life experience and the eccentric personality in his art in the discount, rather than not very clear or not placed in the history of thinking to explore. As far as the theory of painting is concerned, it seems that no one has ever cautiously examined the psychological factors of Yang and Ming in Xu Wei’s ink and wash paintings. This kind of situation lags behind the corresponding research in the fields of music theory and poetry. This article will explore the work as a title, or help to improve our understanding of Xu Wei’s ink painting ideas and the development of ink painting concept in Chinese painting theory.