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现实主义自18世纪末进入文学领域以来,由作为一种创作方法到作为一种文学思潮,其内涵被不断的扩充,直至20世纪60年代初出现了“无边的现实主义”的概念,外延的不断扩大最终导致了现实主义的精神的消亡。以中国近现代文学史上的现实主义发展流变为例,可以看出现实主义作为一种文学思潮是应有其自身的内在规定性的。因此从文艺思潮的本土性、动态性、历史性、整体性入手去解读现实主义是一个理想的视角,同时也深化了现实主义的艺术价值。
Since the realism entered the field of literature from the late 18th century onwards, its connotation has been continuously expanded as a literary trend of thought as a literary trend until the concept of “boundless realism” appeared in the early 1960s. The constant expansion eventually led to the demise of realism. Taking the development and change of the realism in the history of Chinese modern literature as an example, we can see that as a literary trend of thought, realism should have its own intrinsic stipulation. Therefore, it is an ideal perspective to interpret realism from the local, dynamic, historic and integral trend of ideological trend of literature and art, and deepen the artistic value of realism at the same time.