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黄阿忠是上海油画界的一位佼佼者,他以细腻的笔触刻画着几案清供和江南景致,然而他又不以物理的“形”为最高准则,他追求一种用笔的趣味和形式的美感。黄阿忠是一位多面手,他不仅是一位油画家,还是一位水墨画家、水彩画家和美术评论家,看他的作品,你会体察到艺术家多方面的素养。王同君是东北水墨画坛特别是花鸟画领域中风格迥异于他人的画家,从他的作品中不难看出他对明清以降意笔花鸟的心追手摹,以及他对西方色彩学的有效汲取和运用。王同君时常把山水和花鸟融会于同一尺素之中,让人在他所营造的空间里无法准确界定其所欲传达的信息,从而使读者思考的更多。我们相信,两位画家的作品一定可以给读者以启迪。
Huang Zhong is a leader in the field of painting in Shanghai. With his delicate brushstroke, he paints several scenes of Qingjian and Jiangnan scenery. However, he does not regard the physical “shape ” as the highest standard. He pursues a pen-like interest And the beauty of form. He is not only an oil painter, an ink painter, a watercolor artist and an art critic, but also an artist who is aware of many aspects of his work. Wang Tong-jun is an artist with a distinct style in Northeast China, especially in the field of flower and bird painting. From his works, it is not difficult for him to see that he pursues the heart of the pen in the Ming and Qing dynasties and his effective acquisition and utilization of western color science . Wang Tong-jun often landscapes and flowers and birds in the same scale, people in his space can not accurately define what they want to convey the message, so that readers think more. We believe that the works of the two painters can certainly inspire readers.