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内审美理论自提出以来,受到学界的关注和评价。朱立元老师在为拙著《修养境界审美》所作《序》中认为,内审美是“立足于美学史的一个创造。”王元骧先生在他为《中国美学年鉴》所撰《我看20世纪中国美学——兼论我国美学的理论建设和发展方向》一文中指出:“近年来有学者把中国传统美学概括为‘修养美学’,提出‘内审美’(王建疆:《修养境界审美》,中国社会科学出版社2003年版),我觉得是有见地的。这样,就不像西方内省性美学那样从理念、上帝、彼岸世界去探寻美的本质,而把美的根源落实到人的人格修养和人生境界之中,使得超验的内容与经验达到有机的统
Since its introduction, aesthetic theory has received the attention and evaluation of the academic circles. Zhu Liyuan, in his book ”Preface“ to my book, ”Aesthetic Cultivation,“ argues that internal aestheticism is ”a creation based on the history of aesthetics.“ ”In his article entitled“ China’s Aesthetics Yearbook, ”Wang Yuanli wrote:“ I think that in the 20th century China Aesthetics - Also on the Theoretical Construction and Development Direction of Aesthetics in Our Country ”pointed out in one article:" In recent years, some scholars have summarized Chinese traditional aesthetics as ’aesthetics of cultivation’ and put forward the idea of ’aesthetic internal audit’ (Wang Jijiang: Aesthetic Cultivation, China Social Sciences Press, 2003), I think it is insightful.Thus, unlike the western introspective aesthetics, the concept of God, the other side of the world to explore the essence of beauty, and the beauty of the root causes of human personality and implementation Among the realm of life, the content and experience of transcendentalism are brought into an organic whole