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安东尼奥尼是当代意大利重要电影导演之一。1960年,他的影片《奇遇》(曾译《冒险》)在戛纳国际电影节上映时曾引起强烈反应,并获得评委会特别奖。由于这部作品在内容和形式上都有与众不同的特色,它一直受到电影界的广泛注意和研究。 首先《奇遇》是一部“无情节”影片,它只是讲述了一个无头无尾的故事。在这里,人物的行为都是无动机可循的,动作很少连贯性,完全没有情节的基本要素,即因果性。影片的内容也和男主人公的形象一样,飘忽不定、随意发展。 《奇遇》所描绘的某种类型的知识分子是安东尼奥尼后来的影片中经常出现的那种“现代人”。他们精神空虚、缺乏应有的道德观念、放纵自流,在人生的道路上追求奇遇,结果在事业和爱情上均以失败告终。安东尼奥尼后来拍的《夜》(1961年)和《蚀》(1962年),都从相似的角度来揭示人生,都是这种“反英雄影片”的继续,总称关于人类情感的三部曲。安东尼奥尼坦率地认为,中产阶级无法解决中产阶级自身的问题,因此他的影片只限于提出问题,而对解决问题他却无能为力。 作为安东尼奥尼的一部代表作,我们发表《奇遇》的剧本和有关安东尼奥尼那一时期创作思想的文章,供大家参考,使同志们 对这个著名的“现代派”导演能有进一步的了解。 《奇遇》的剧本译自《安东尼奥尼电影
Antonioni is one of the major Italian contemporary film directors. In 1960, his film “Adventures” (once translated “Adventure”) at the Cannes International Film Festival released a strong response, and won the jury special prize. Because of its distinctive content and form, this piece of work has been widely watched and researched by the film industry. First of all, “Adventures” is a “cruel” film, it just tells a story without head and tail. Here, the character’s behavior is motivated and motivated, with little continuity of action and no basic element of the plot, namely causality. The contents of the film and the hero’s image, erratic, free to develop. Some type of intellectual depicted by Adventures is the kind of “modern” often found in Antonioni’s later films. Their spiritual emptiness, the lack of due moral values, indulgence, pursuit of adventures on the road to life, the result of failure in both career and love. Antonioni’s later “Night” (1961) and “Eclipse” (1962) both reveal life from a similar perspective, all of which are the continuation of this “anti-heroic film” and generally refer to the trilogy of human emotions . Antonioni frankly believes that the middle class can not solve the middle class’s own problems, so his video is limited to asking questions, but he can not do anything to solve the problem. As a masterpiece of Antonioni, we publish an episode of “Adventures” and an article on Antonioni’s creative thinking for your reference so that comrades can gain a better understanding of this famous “modernist” director. “Adventure” script translated from "Antonioni movie