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本文运用镜像理论来阐释《西方世界的花花公子》,分析了主人公从分裂到异化的自我建构过程。“弑父”作为这一过程背后的试金石,是虚拟的,是隐喻的,反映了民族的建构过程,民族的自我认识的突破。
This article uses the mirror theory to explain the “playboy in the western world” and analyzes the hero’s self-construction process from separation to alienation. As the litmus test behind this process, “Father” is a metaphorical and metaphorical, reflecting the nation-building process and national breakthrough in self-awareness.