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《生生不息》取名于中国古老哲学之术语,画面洋溢着生命的蓬勃向上和当代视觉精神。作者大胆运用戛戛独造的意象造型和超乎寻常的曝光技巧,创造性地引人进入一种“万物与我合一,万物与我生生不息”的境界,给人一种正能量。老子的《道德经》中提出了“道生一,一生二,二生三,三生万物”的思想,作者以心入影,巧妙地运用这一哲学思想,和自己独特的摄影语言进行独具匠心的
“Life and death,” named after the terminology of the ancient Chinese philosophy, the picture filled with life vigorous and contemporary visual spirit. The author makes bold use of the imagery and unusual exposure techniques of the independent film to create a positive energy by introducing people into a realm in which “everything is one with me and all things are with me.” Lao Tzu’s “moral classics” put forward the idea of “Taoism one, one, two, two three, three things ”, the author with heart and shadow, clever use of this philosophical thought, and their own unique photography language Ingenuity