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当今书法艺术的形式上有了很大的发展和变化,但是从内容上来讲,依然是古代的文学内容比较多,现代的文学内容比较少,这种现象的普遍化就与我们的时代不相符了。古代文人面对书法创作不会被动地抄字,而是让形式与内容结合,尤其是以诗歌为主的文学创作。从王羲之的《兰亭序》到苏东坡的《黄州寒食诗》,从黄庭坚的《松风阁诗卷》再到傅山的《哭子诗》,都是以诗文结合书法而名世的。大诗人李白的真迹《上阳台》是今天我们唯一能够看到的李白手笔,上面所书的十六个字是“山高水长,物象千万,
Nowadays, there are great changes in the form of calligraphy, but in terms of content, there are still more ancient literary contents and less modern literary contents. The universality of this phenomenon does not accord with our times It’s The ancient literati in the face of calligraphy will not passively copy the word, but to form and content, especially poetry-based literary creation. From Wang Xizhi’s ”Lanting Preface“ to Su Dongpo’s ”Huangzhou Cold Food Poetry“, from Huang Tingjian’s ”Song Style Poems Volume“ to ”Funeral Poems“ of Fu Shan are all famous after the combination of calligraphy and prose. The true meaning of the poet Li Bai ”On the balcony“ is the only one we can see today, Li Bai’s handwriting, the book is written above the word ”mountains high, tens of millions of images,