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光怪陆离的梦境往往令梦者也不愿清醒,文明中技术的推进也永远伴随着思维的崇古与倡新。摄影在帮助人类摆脱纯粹的自然视觉影响过程中,同样催化了以绘画为主要创作手段的艺术家,从技法以至观念的变局。借助摄影进行绘画并不算新鲜,但却是在伊始需要明晰的立场:肖丰的近作,是基于绘画性为前提进行的摄影上绘画,亦可以视作为一种顺时而行的“改图志”。以绘画为主要创作手段的艺术家,在其对摄影工具运用自如的时刻往往产生困惑:它将对我的绘画有什么帮助?做为肉眼的延伸,摄影工具能够很轻松地保留任意的时间切片,想要再现的
Everlasting dreams often make the dreamer also reluctant to sober up, and the advancement of technology in civilization is always accompanied by the admiration and innovation of thinking. In the process of helping mankind to get rid of purely natural visual influence, photography also catalyzes the artist who takes painting as the main means of creation, and changes from technique to idea. Painting with photography is not new, but it is at the beginning need to be clear: Xiao Feng’s recent work is based on the painting of the premise for photography on painting, can also be seen as a clockwise “change map Chi ”. Artists who use painting as their primary means of creation often get confused when it comes to using photographic tools freely: what help it does for my painting? As a naked extension, photographic tools can easily retain arbitrary time slices, Want to reproduce