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《宗》尝试用西方交响乐形式展现深邃的中国文化,追求东方神韵与西方作曲技术在艺术层面上深度契合。本文就作曲家对西方偶然音乐手法的运用及作品音响设计等进行分析,以此探讨其作品的创作特色及文化内涵。
“Sect” tries to show the profound Chinese culture in the form of western symphony, pursues the deep blending of oriental charm and western compositional art on the artistic level. In this paper, the composer analyzes the use of western casual music techniques and the sound design of works to discuss the creative features and cultural connotation of his works.